Jazz Guitar Improvisation Using Pentatonic Chord Scales
"Dorian Pentatonic Scale", Just Jazz Guitar Magazine (February 2007), No. 50, pp. 53-59).
- Figure 3.3: mp3 example 1
- Figure 3.3: mp3 example 2
- Figure 3.3: mp3 example 3
- Figure 3.3: mp3 example 4
"Shredding Giant Steps With The Basic Pentatonic Scale", Just Jazz Guitar (February 2009), No. 58, pp. 43-50.
- Ex. 4: Pentatonic Scale Exercise at 100 bpm
- Ex. 4: Pentatonic Scale Exercise at 200 bpm
- Ex. 5: Pentatonic Solo at 100 bpm
- Ex. 5: Pentatonic Solo at 200 bpm
"Diminished Scales Not Useful For Diminished Chords (Part 1)", Just Jazz Guitar Magazine (February 2010), No. 62, pp. 86-95, www.justjazzguitar.com).
- Example 3: C Major Blues Pentatonic Scale For Ebdim7 (bIIIdim7)
- Example 4: C Major Blues Pentatonic Scale For bIIIdim7 (Ebdim7) in Turnaround Measure 4
"Spicing Up the Jazz Turnaround", Jazz Inside Magazine (formally Jazz Improv Magazine),Volume 8, Number 4, Winter 2010 (http://jazzinsidemagazine.com/publications/magazine/volume8/summer-2009).
- Example 1 slow
- Example 1 medium
- Example 2 slow
- Example 2 medium
- Example 3 slow
- Example 3 medium
- Example 4 slow
- Example 4 medium
Introduction and Overview of Approach
Example of solo over chord changes to "Misty" using this system (click here).
Chapters:
Click Here For Updated ERRATA sheet for the book
Overall Listing of Music Publications
Book
Jazz Guitar Soloing Concepts: A Pentatonic Modal Approach to Improvisation, Hal Leonard Corporation, 2009.
Articles
Diminished scales not useful for diminished chords (Part 2) Just Jazz Guitar, August 2010.
Spicing up the jazz turnaround. Jazz Inside Magazine (formally Jazz Improv Magazine), Volume 8, Number 4, Winter 2010.
Diminished scales not useful for diminished chords (Part 1) Just Jazz Guitar, February 2010.
Shredding Coltrane changes with the basic pentatonic scale, Just Jazz Guitar, February 2009.
Dorian pentatonic scale, Just Jazz Guitar, February 2007.
“Sweet Georgia Brown”: an advanced approach to comping (with Dean Lemos), Fingerstyle Guitar, No. 63 (January/February) 2007.
Advanced chord melody and comping: “On Green Dolphin Street” (with Dean Lemos), Just Jazz Guitar, February 2006.
Advanced Bb blues rhythm concepts (with Dean Lemos), Just Jazz Guitar, November 2005.